![]() The image fidelity that comes from the Sony a6300 is truly incredible. In this review, I am going to cover the Sony a6300 and explain why it’s a good value for anyone looking to make some great content, or even just have top-notch 4K home videos. And if you still wanted more sensor size than the a6300 can provide with its crop sensor, you have the full-frame A7SII and A7RII (and, hopefully, soon the A7R/S III). Once people started seeing the images and video that the APS-C-based a6300 produced, mixed with the awesome low-light capabilities and wide dynamic range using picture profiles like SLog2/3 - Sony had a bonafide hit on their hands. It seems that’s when Sony started taking the prosumer camera market seriously and doubled down on the Sony a6000 mirrorless E-mount camera, which eventually led to the 4K (technically UHD) recording-capable a6300 and a6500. ![]() Over the years, other companies have been breaking the 5D mold with cameras like Blackmagic with its Pocket Cinema Camera, but once the filmmaking community started lusting for higher frame rates that filmed at higher than 1920×1080 resolution, along with a Log or Log-like color space, the field began to really open up. The 5D was the magic camera for the filmmaking community. Canon and Nikon have been the huge players in the market, more so a few years ago when Canon introduced the landscape-changing 7D and full-frame 5D cameras. It’s fair to say that the still and motion camera market isn’t boring. ![]()
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